Tuesday, March 18, 2008
03/17/2008
Interpretation by dali48
Golding has a very sharp eye and a sharp pen when it comes to the power of evil and villainy in people - just like Jonathan Swift. And like Herman Melville, he often chooses the themes and the framework of his stories from the world of the sea or from other challenging situations in which strange people are tempted to go beyond their limits and are exposed to the core. (W. Golding, press release 1983)
Monday, March 17, 2008
05/01/2000
Interpretation by dali48
The majority of toxicomaniacs were victims of severe emotional and physical child abuse. The archaic defense through affect and drive reversal (instead of fear: anger and contempt; instead of suffering: active deception and attack) is used again and again to process these traumas! ... In terms of claustrophobia, he/she is full of fear of falling into the trap of an intimate relationship or restriction. Sexual intercourse is only acceptable as long as he/she is not bound to the woman by friendship or marriage. Immediately after the act, he/she must leave the partner; he/she feels affected and uncomfortable ... All limitations must be broken, all rules violated, regardless of the risk to life or social humiliation involved ... In particular, any closeness - physical or psychological - that is experienced as constriction or imprisonment and must be fended off, must be changed ... Narcotics and sedatives (hypnotics) are aimed primarily at anger, shame, jealousy and at fear, which warns against these feelings! (L. Wurmser)
Léon Wurmser war ein aus der Schweiz stammender US-amerikanischer Psychiater und Psychoanalytiker und der Autor mehrerer umfangreicher psychoanalytischer Studien. Wikipedia
Monday, March 17, 2008
15.03.2008
Interpretation by dali48
The death of his son shakes Krysztof's belief in the omnipotence of science and technology. He, the unbeliever, struggles with the idea that God could have had a hand in it... The theme of his films is not morality, but ethics...
"Dekalog Nine" tells of exaggerated emotions and the resulting misunderstandings. Kieslowski himself says of the film: "One could also call this film a 'Short Story About the Telephone': the ideal means of preventing people from meeting or understanding each other!" (K. Kieslowski, arte.tv)
Krzysztof Kieślowski war ein polnischer Filmregisseur und Drehbuchautor, international bekannt für seine Filmzyklen Dekalog und Drei Farben. Wikipedia
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